Broad single-handedly saved Jeff Koons's career... and profited handsomely from it. |
Broad is picky about prices from famous artists and architects, demands elaborate recognition of his generosity, and forces out executive directors of the art institutions he supports as soon as they even think about disobeying him.
The article draws an interesting distinction between the role of the for-profit executive and the non-profit executive. A for-profit executive has one simple goal at the end of the day: profit, and a resulting increasing share price. A non-profit executive, on the other hand, must run a business efficiency, put on a good public face, please major donors, grow an organization's esteem, and (presumably) affect public good. Even then, a major donor's whim may leave a non-profit CEO who does everything right out on the street. This is a scary thought to me: a non-profit exec needs to be a master of all frames, the political above all.
The article also provoked a second question about non-profit executives: who is the real shaper of a non-profit's mission: the donors/Board, or the CEO? Broad considers himself, as the financial backer making LA's art scene happen, the arbiter of the mission of the museums he supports--moreover, by law, Boards of Directors are the caretakers of a non-profit's mission. But many CEOs go into non-profit work in the first place because they are moved by a mission--if they are simply carrying out a Board's intent, non-profit executives are no different than for-profit leaders: bureaucrats beholden by outside interests. I wonder: can there be a shared ownership of a non-profit's mission, or do stories like Eli Broad's prove once again that it's all about the money?
--Sean
Distinction between the role of the for-profit executive and the non-profit executive reminds me of what Nancy Lublin wrote on her book, Zilch. As you know, she underscores the "Power of Zero", thus doing much with less money. Maintaining employee motivation with tools other than money, creating commitment, having an artful way of asking for donations are some management techniques that differ between the for-profit and the non-profit sectors. This artful skill is intertwined with human resources, symbolic, and mostly political frames, as you say.
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